8/19/2023 0 Comments Photo reflector large edgeHowever, we typically have the backlights powered up about one to up to two stops higher than the main light. From there we make on-the-spot adjustments. Most of my lighting is done by feel or how it looks when we fire off a test shot. Our decision depends on the effect we want to achieve the point is there are many, many options. For even more control of light spread, we use a grid in the strip boxes. If we want a much softer and more controlled spread we use two strip boxes. (We tend to go with a 7” reflector to focus the light a little toward the subject.) To focus the beam of light even more, you can snap in honeycomb grids. ![]() As with the main light, we have a lot of options for light modification. We then position the two backlights (AlienBees B800 monolights) about 45 degrees behind the subject and several feet back. A middle ground between the two could be achieved by placing a diffusion sock over the beauty dish. For crisp light you can use a silver beauty dish for softer light with a smoother falloff you can use a large octabox. You can modify the light several ways based on the look you want to achieve. Technical info: Canon EOS 5D Mark II with an EF 70-200mm f/2.8 IS USM lens exposure: f/11 at 1/125 sec at ISO 100.īeginning with the main light (we use either an AlienBees B800 or an Einstein light), we set it up on a C-stand or a light stand with a boom arm at least 5 feet from the subject, pointing down at them at a 45-degree angle. With fitness talent Holly Bricken we used strip boxes on the two backlights.
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